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Thursday, 26 May 2011

At The Moment

It's back!

Arctic Monkeys - You Probably Couldn't See For The Lights But You Were Starin': An extraordinary 2-minute odd piece of indie rock about getting the courage to talk to that girl in the club. Vintage Monkeys

Brother - Shoot Like Lightning : This Stone Roses-influenced number is another string to the bow of Brother, their danciest release yet and if it's a B-side, the album must be good

The Lonely Island (feat. Michael Bolton) - Jack Sparrow : The boys are at it again and along with Michael Bolton, here's a perfect example of why they are the best comedy musicians around. Not a bad song either.

The Killers - Change Your Mind : Early Killers at their sweetest; a guitar-driven ballad, a fine Flowers vocal and a catchy backing riff. The best adulation I can give it is if it was included on 'Hot Fuss', it would still have been as good

Foo Fighters - Long Road To Ruin : Now truly one of the biggest bands in the world and this is a great example why; soaring chorus, squealing guitars and a great lyric. Isle of Wight 2011 will be goooood...

And here's 'Jack Sparrow'. Enjoy :)

NWR

HOMTA! (or a.k.a. Highlights Of My Time Away)


Okay, it's HOMTA time and here are the top five albums of my time away from this blog - so the best of the best from late March through April and May. Enjoy :)


5. Alex Turner - Submarine EP
In fifth place only because it's a short EP, Alex Turner delivers
another reminder of his genius with this scoring of Richard Ayoade's film Submarine. Five brilliantly sombre and fantastically written slow-ones, the highlight of which is the dreamy ballad 'Glass In The Park'. Also, look out for a slightly faster version of 'Piledriver Waltz' on the up-coming Arctic Monkeys album. This sees Turner grow fully from the sharp delivery of early Monkeys songs to a magnificent crooner.
KEY TRACKS: 'Glass In The Park', 'Piledriver Waltz'


4. Avril Lavigne - Goodbye Lullaby
A guilty pleasure I'll admit, but the Queen of punk balladry is back in fine form. Lead single 'What The Hell' is a bit of Red Herring as the rest of the album is stripped back to old-style Lavigne; a guitar, a bit of atmosphere and a cracking ballad about love. It's been a long time since 'Complicated', the pop princess' powers show no sign of diminishing just yet.
KEY TRACKS: '4 Real', 'Stop Standing There', 'Everybody Hurts'

3. Panic At The Disco - Vices & Virtues
The kings of theatrical emo rock are back after a long hiatus, and again they show no sign of slowing just yet. Although not as instant as debut effort 'A Fever You Can't Sweat Out', Vices is a fine example of their lyrical and musical talents. First track 'The Ballad of Mona Lisa' is the stand-out; a brilliant, er, ballad that is one of the songs of the year; and the rest of the album works well as a collection of good, solid and inventive tunes.
KEY TRACKS: 'The Ballad of Mona Lisa', 'Memories', 'Nearly Witches (Ever Since We Met)'

2. The Lonely Island - Turtleneck & Chain
They ain't no one-hit wonders. The three lads that brought us 'Jizz In My Pants' and 'I'm On A Boat' are back, and with a possibly even bolder set of songs. Proclamations of joyous intercourse with Akon ('I Just Had Sex'), agreements to swap mothers for sexual relations with Justin Timberlake ('Motherlover') and sipping light beer in your favourite attire with Snoop Dogg ('Turtleneck & Chain') are just a taster of the delights that await. Not one bad song.
KEY TRACKS: 'Jack Sparrow (feat. Michael Bolton)', 'No Homo', 'I Just Had Sex (feat. Akon)'

1. Foo Fighters - Wasting Light
The elder statesmen of rock returned with their seventh album to reassert their place at the head of the music world. A exceptional bold and robust record, each song could be a single and is probably Dave Grohl's best one yet. Lead single 'Rope' sets the tone, then opener 'Bridges Burning' and 'Arlandria' push it through the roof. Also, we see a moment of sentimentality as Grohl aches through 'I Should Have Known'. Foo Fighters doing what they do best; guitars with soaring choruses, and it's exemplary.
KEY TRACKS: 'Bridges Burning', 'Arlandria', 'I Should Have Known'

So, there's my top five, and there were a few good'uns that missed out; with Noah And The Whale's 'Last Night on Earth', Wild Beasts' 'Smother', Fleet Foxes 'Helplessness Blues' and Gorillaz's 'The Fall'; just a couple of the names, and I'm sure there's many more. But here for your enjoyment, 'Arlandria' by the Foo Fighters.

NWR

Wednesday, 25 May 2011

Sing It Out For The Summer ...

Wow! That was a heavy couple of months, so heavy that I didn't even have the time or the energy to go on here for five minutes a day to update my 30 Day Song Challenge (not really, I was just being lazy). But, thank God, it's over - year two of University has been finished, all those damn life-destroying and soul-emptying essays are in and I can now resume the remnants of my tattered social life! Recently, I've uploaded the Beady Eye gig review and the Brother gig/interview, but now I'm really kicking back into gear...

COMING SOON: Highlights Of My Time Away (a.k.a. HOMTA); Panic At The Disco at Portsmouth Pyramids; A sneaky look at Arctic Monkey's new album 'Suck It And See' and the build-up to Isle Of Wight Festival 2011.

PLUS - A return to an album and single a week reviews, plus whatever bits and pieces I pick up.

Aren't you lucky, lucky people? It's good to be back, Blogspot.

NWR

Tuesday, 17 May 2011

Brother - Portsmouth Wedgewood Rooms - 12.05.2011

After speaking to the guys (interview below!), I went to check out Brother's latest gig at the Portsmouth Wedgewood Rooms and here's what I thought:

So they say rock ‘n’ roll is dead. So Paul Gambaccini reckons that it’s over, that all that’s left in the musical wasteland now is R’n’B and hip-hop to fulfil our melodic needs. But 2011 has seen something of a revival. Titans of the modern rock scene have all made welcome comebacks; Foo Fighters, Arctic Monkeys and The Strokes to name three. There’s new blood breaking through too, the likes of The Vaccines, Miles Kane and The Joy Formidable coming through the ranks. And no-one’s mentioning its demise as Brother storm into town.

Love them or hate them, the Slough four-piece are fast becoming one of the bands of 2011, having made ripples across the continent and over in the U.S. Fresh from playing David Letterman among others, Brother are early on in their first U.K. headline tour when the lads hit Portsmouth’s Wedgewood Rooms this Thursday – and promptly blow it away.

Set opener ‘Electric Daydreams’ and the Stone Roses-influenced ‘Shoot Like Lightning’ go down well enough; good tunes greeted by bobbing heads, but it’s then that things change. ‘We wanna see you dance for this one’ frontman Lee Newell and with the first guitar strums of second single ‘Still Here’, utter hysteria breaks out.

For a band that is two months away from releasing their first album, each song is met with a remarkable amount of familiarity. The rampant crowd lapped up ‘High Streets Low Lives’, ‘David’ and ‘Fly By Nights’, all similarly guitar led and all with that anthemic release. It’s not hard to see why the band has been thrown in with the ‘Britpop’ crowd; it’s a combination of Gallagher-esque vocals, Blur-like ‘ooo’s’ and indie rock pace. Add in the frequent stage banter and the home-coming of bassist Josh Ward, there’s a feel-good factor in the Wedgewood Rooms tonight.

The best receptions of the night are for the released songs, which with the proper exposure could become the anthems of the summer. All with irrepressible hooks, huge choruses and that anthemic quality that instantly endears them. First, the instant guitars of ‘Darling Buds of May’, then the euphoric odyssey of ‘New Year’s Day’, but their finest is left until last – the swelling release of ‘Time Machine’. All three met with what can only be described as mania from the ‘lads’ diving in front of each other to get closer. Lead guitarist Sam Jackson, on form all night, tops it off with a stage dive at the finale. Brilliant.

You do get the feeling that one day you will be able to say ‘I saw Brother back in the day’. The four of them are incredibly tight; their musical quality was phenomenal and no-one can deny the songs, there’s a freedom and release built into the chords. There’s been many bands overhyped before; and it’s easy to forget that Brother were only signed last October, but their meteoric rise shows no signs of stopping just yet.

NWR

Brother Interview - Portsmouth Wedgewood Rooms - 12.05.2011



I was lucky enough to have the opportunity to interview two lads from Brother; lead singer Lee Newell (second left) and drummer Frank Colucci (far right) ahead of their gig at Portsmouth Wedgewood Rooms last week. As one of the most-hyped bands of the moment, it was a great chin-wag and amongst the brief interruptions from generous locals offering the prized pair more gin and tonics, here's what they said:

Q: Hello, lads. How are you?

L: Alright mate, thanks. Bit hungover but all okay.

F: Good mate, cheers.

Q: Portsmouth is the latest stop on your tour, you’ve been across America and Europe, how’s it been so far?

L: Yeah, really good, really good. Insane, yeah, I mean, everything’s just a blur, you know? Just happens so quickly but it is good. We try and sort of savour as much as we can, but because we’re always so busy we tend to just … the days fly past, but it’s been incredible.

Q: Any gig that’s really stuck out so far as the best?

L: Umm… let’s think… well there’s a few that pop up. L.A. was really good, that was a really good one.

F: The first date of this run of dates in the U.K. in Oxford was really, really good.

L: Yeah, Oxford was good, Norwich was good, I think tonight’s going to be amazing.

Q: So in America have you noticed that you’re known a bit better, a bit less, sort of thing or is it…? And how was the Late Show with David Letterman?

L: Yeah, that was amazing. And, to go back to your first question, we are getting better known over there, you know, quite quickly so it’s catching up with the UK. We get played a lot more on the radio over there all over, for instance, so it’s definitely getting there.

F: They definitely get it, you know, get what we’re doing and appreciate it, just as well and maybe even better than the U.K.

Q: Yeah, definitely, it’s always written that British bands never make it over in America, but…

L: That’s not true.

F: Na, I mean Mumford and Sons are the biggest band over there. And people say Oasis never made it over there, and I’m not trying to draw comparisons, but they did. I mean, they sold out shows wherever they went, so…

L: Yeah, they were pretty big in America so…

Q: But I suppose it’s good to be back on home soil now.

F: It is.

L: Absolutely it really is. I mean I loved it, I love travelling, I love viewing Holland the States and everything, but there’s nothing like your home soil and hearing English voices and everything.

Q: And then looking ahead to the tour; you’re all over Europe again, back to U.S, Isle of Wight Festival just over the water, Glastonbury. It’s pretty good.

L: Yeah, it’s looking pretty amazing for a new band, we’re buzzing.

Q: With that in mind, what were you doing a year ago this month?

L: Good question, I was working for Microsoft, the headquarters in Reading, I was a games tester. And I was really down, really depressed. And being in a band was always in my head, it’s been in my head for years, always been at the back of my head, and it was just a matter of when for me, so …

F: A year ago, I was on a University course that I didn’t enjoy, and I was working part-time. I was doing music at University, and it was like, really forced, and I was working part-time for an events company, and we’d do bouncy castles and stuff like that!

Q: So, a lot happier a year on then?

L: Absolutely, headlining tours, it’s unreal mate, living the dream.

Q: Right now, bringing it to the album, Famous First Words, how would you personally sum up the record?

L: Umm (pauses). A result of years of desperation. It’s sort of everything, like for the six years we’ve known each other as people has been building up to really, we’ve all been in various different bands and various different places, and done different things, but it was all leading up to this album, it feels like that anyways. And it’s a big moment in our lives, the album. It feels like a release.

F: You know, we’ve talked about doing this, doing what we’re doing now, way before we started this. Even if this hadn’t all happened as quickly as it has, we’d still be enjoying it as much as we are know.

Q: Because you guys got signed up in October right?

L: Yeah, and that wasn’t too long after, either, we’d only put our music on the internet in August and by October we were signed. So it was very quick, mental. It’s weird how it works, because some bands go the other way, I mean I’ve been in bands that have toured and toured and toured, don’t get anywhere, and nothing that anyone would have heard of, nothing worth mentioning.

Q; Okay, I’m sure you’ve had loads of interviews, and I’m sure you’ve had the word Britpop thrown at you a million times. You’ve been described as Britpop, indie rock, ‘gritpop’… how would you describe your music?

L: Umm… good. (Laughs). We actually came up with ‘gritpop’, because you know we were being called a Britpop revival, and one which we never intended. We listen to 90’s bands a lot. Actually, recently we haven’t at all.

F: We’ve been listening to weird stuff recently. Weird in the sense that you probably wouldn’t expect us to listen to it.

L: Edward Sharpe we’ve been listening to a lot.

F: I’ve just got the new Bright Eyes album, I really like it. Black Keys new stuff, we really like that.

L: We’ve been listening to some other weird stuff… our mate’s dubstep. Christ.

Q: (Laughs) So, how do you write songs then, is it a case of all four of you together?

L: Yeah, yeah, it is yeah. Most of the time we just play music together wherever that is, together in a room without any real ideas. Because we’re always together anyway, it all just sort of comes about that way. I tend to write most of the lyrics, but everybody puts in.

F: We swap around instruments sometimes, I’ll try playing this, and that.

Q: So there’s no dictator in the band then?

L: No, no, not really. Not a musical dictator anyway (sly smile).

Q: So going back to Britpop and bands like Oasis and Blur, would you like to emulate their careers? Or is there another band who’s career you’d like to emulate?

F: In the sense of their career, absolutely. I mean Oasis had a good, long solid go at it.

L: I don’t know who I’d like to emulate really. Because when I say I want to be around for twenty years, but I look at the Rolling Stones, and I’m like “You’re five hundred years old”. Playing ‘Satisfaction’ sixty years on, it doesn’t mean the same thing. But then my favourite bands like The Smiths, The Beatles or The Stone Roses, they broke up after like four-five years. So, maybe I’d rather that, I don’t know. But then again, I don’t want to stop playing after four or five years. So it’s hard.

F: I’d like to have the scope to be able to carry on and then decide whether to or not.

L: Ideally I’d die at 27, then I don’t have to worry (Laughs)….

Q: Well, death’s the best way to be famous…

L: Exactly, good old martyrdom.

Q: Well, you have a reputation of being quite opinionated (Lee’s already laughing). So, I’m gonna throw a couple of things at you and see what you think.

L: Go for it.

Q: So, the state of music at the moment…

L: Splendid and tremendous! I look at the charts and I see one band there. If we’re talking about contemporary peers, Jessie J is just absolutely dead behind the eyes. I mean, I heard Friendly Fires new song today, it was so bad. It sounded like an X Factor loser release. It was unreal, so I dunno what they’re doing, they’re obviously going for the broad appeal. So yeah, Jessie J can … erm…

F: She could take a fat one but she wouldn’t! (Laughs, all around).

Q: The coalition government? A year on…

L: Well it doesn’t really seem to be a coalition, does it? Just Nick Clegg trying to suck Cameron’s dick off a little bit, you know? Which is completely fine, you know, he’s just lost all his followers. So, no, not a fan. Just the rich getting richer and the poor getting poorer.

Q: And finally, on the subject of rich, did you watch the Royal Wedding? Enjoy it?

L: Yes!

F: Well, we watched it after a night out in San Francisco, we watched in Mexican!

L: Yeah, we really enjoyed it, I was still obliterated from the night before. Because obviously we were like eight hours behind…

F: It was on at like three in the morning, so the night’s still carrying on.

L: Yeah, so we just carried on and it was amazing, yeah. I remember it though, I do remember it.

Q: Okay, brilliant lads, that’s all from me. Thank you very much.

L: Pleasure mate, pleasure.

The talk then idles from football, back to music, to tour dates past, present and future, gig experiences, odd pre-gig rituals (“We all put our hands in a circle and chant ‘DICK’, just once”) to general musings of the outside world. It’s clear though just from forty minutes sat with the lads that they’re just that; a pair of lads, touring a band with their mates and loving every minute. And long may it continue.

NWR